Thinking Of You

by Teresa Jennings

If this piece brings a lump to your throat, or a tear to your eye, we understand. Being separated from the people we care about is difficult. Sometimes it helps to talk about it, or even sing about it. And sometimes we just want our loved ones to know we're thinking of them.

An amazing thing happened this past spring. As America sent troops to Iraq, teachers and children in schools all over the country decided to reach out to the troops with music. We were inundated with requests for permission to make recordings of many of our songs to send to the troops. The students wanted to show their love and support in a tangible way. We were overwhelmed by their thoughtfulness and compassion. And so very proud. (FYI: The most popular tunes requested were "American Tears" and "You Are Our Heroes," both very poignant pieces. On the more upbeat side, there were a few patriotic favorites, such as "The Heart Of America" and "Allegiance Rap.") We feel certain that the soldiers who received these musical tributes were touched by them and grateful for the acknowledgement of support by the children of America.

There are still many troops overseas and around the world. Pictures in the media of wives crying, children hugging their daddies goodbye, and anxious family members watching and waiting for news of their loved ones remains an emotional issue. It is what inspired "Thinking Of You." Even so, the song is not just for troops overseas. It is for anyone far away that is missed and thought about.

For this reason, we wanted the song to be simple. It is written in unison and the only option is whether or not to use a soloist. We used Katy Gentry on the recording. You could ask one of your students, an older student, or even a teacher or parent to sing the solo line if you wish to use it. We kept our soloist out front throughout the song, even when the chorus came in, but you can end the solo at any point.

Our recording of the background tracks is particularly tasty, using strings, brass chordal pads, and a lovely flute/flugelhorn countermelody. However, the piano part is written in such a way as to be quite playable in a live setting.

(Note: When a subscriber asks us for permission like the one mentioned above that generates no profit and is for benevolent purposes, we give that permission freely and at no cost. We encourage teachers to ask permission for unusual uses of our materials as it respects our copyright laws and teaches our students the right thing to do.)

Text is taken from Music K-8 magazine.